Posts Tagged ‘80s’

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The Black Cauldron (1985/ Disney/ Dir. Ted Berman & Richard Rich)

The Black Cauldron made basically no splash when it came out, much to Disney’s dismay. Also, to the dismay of people like me, who sort of wish Disney had kept up with what it was doing. If you remember, the early 80s were a period of interesting experimentation for Disney. Granted, most those experiments were box office flops, but they were at least interesting and some of them were even good. This is an example of one of those experiments that was actually sort of good. Not great, I didn’t say great, but it is good and it contains things you rarely saw at the time.

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The Snowman (1982/ TVC London/ Dir. Dianne Jackson)

This is a cartoon for which I have no nostalgia. I only saw it for the first time last year and was so exhausted that I fell asleep during part of it. If I can offer an untainted perspective on any holiday movie, this HAS to be it. I only bought it because it has a tremendous reputation. The fact that it came on a DVD with The Nuttiest Nutcracker had nothing to do with it. I still haven’t watched that second feature, mainly because I watched the trailer. But we’re talking about something that I’ve been told by English and Canadians is the height of their VEWPRF season. So I bought it and watched it, and now I shall write my review of that movie. How did I think it help up? You’ll have to wait and see…

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The Smurfs Christmas Special (1982/ Hanna-Barbera/ Dir. Gerald Baldwin)

It wasn’t supposed to be like this. My first holiday special review in two years… it was supposed to be a momentous occasion. It should have been filled with joy, and laughter, not this. I said some time ago that I was sort of done with reviews that only amounted to complaints. I mean… look, The Avengers happened and we’re liking things because we like them again, not because we hate them and want to imagine we’re superior to them. I want you to know, I started this with the purest of intentions. Sadly The Smurfs Christmas Special did not hold up.

There is no way to properly summarize this, no way to discuss it on its merits, or play on the themes. Mostly, because I have no idea what happened. The best I can hope for is a synopsis, going down the line point by point. Maybe, together, we can reach an understanding. Just remember the mantra “I do believe in spooks, I do believe in spooks, I do believe in spooks!”

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Ninja Bugeicho Momochi Sandayu (1980 Toei Company, Dir. Norifumi Suzuki)

You know, sometimes you can’t help but think that you’re watching porn even when you aren’t. That’s how I choose to start this review, because it’s the impression that at the forefront of my mind. It’s the music mostly, and the modern outfits. I mean it’s a movie that takes place in the 15th century and includes ninjas in clothes that look strikingly like modern camo. The music is so absurd that it hurts the movie, which is pretty absurd on its own. The music is early 80s rock-ish sort of J-Pop, and it make you fee like you’re watching a porn. I’m hardly in a position to bitch about rock music in a classic setting. I normally like that sort of thing. It worked in Ladyhawk and it worked in Legend so some degree. It can work, but it doesn’t work here. That’s hardly the movie’s only problem, I seem to remember lots of other problems, but the music always sticks in my head and I’m getting the intro written before we evens start the movie proper because I’m going to review this one in a way I haven’t reviewed in a while. Yeah, this movie is so screwy I’ve got to break down the plot and explain certain scenes in detail. We haven’t done this in a while, so put on your favorite Technicolor gi and let’s get ready to rumble!

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Indiana Jones and the Temple of Doom (1984/ Lucasfilm/ Dir. Steven Spielberg)

Oh yeah, the first Indy movie I’m going to review and it’s one of the most infamous sequels ever made. Let’s get a statement out of the way straight off, this is a flawed movie. It’s the weakest of the trilogy, and yes I know Crystal Skull exists. We’ll talk about that one some day. It doesn’t work like the others, it doesn’t seem to fit with the others, and there are parts that make even a strong man wince. There is also a woman who spends more time screaming than talking, which I’ll get to. However, there is a lot to defend, or at least understand here, so I won’t just smack it around with a leather strap and call it a day. Besides, Indiana Jones and the Temple of Doom is the Kill Bill of 1984 and most people don’t even know it. Yes, I will explain that statement. Good movies deserve better than that, and while this might not be a great movie, it is a good one, no matter what those wankers on the internet might say.

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Blade Runner (1982/ The Ladd Company/ Dir. Ridley Scott)

There isn’t much to say about the movie Blade Runner really. Well, there isn’t much new to say at any rate. It’s not a movie that has been ignored as a discussion point over the years, so why review it? Well, I’m going to go from the angle I went with for the recent review of Jurassic Park and compare it to the source material, Do Androids Dream of Electric Sheep? by Philip K. Dick. I’ll be honest now and say that I enjoy both the movie and the book, so I won’t attack one using the other as a bludgeon. I will say I enjoy them both in different ways, and I hope to explore that in this review. So let’s have a look at the two and hopefully get you to either read one or watch the other. As another note, there are several versions of this movie running around. Instead of picking this version or that version, I decided to review the two major versions. As well as the book, I’ve decided to review The International Cut and The Final Cut for this review. I could have done some of the others, but the review is already late as it is so let’s just go with that.

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Movie Review: Real Genius

Posted: January 24, 2011 in Movie Review, Reviews
Tags: , , , ,

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Real Genius (1985/Tri Star Pictures/Dir. Martha Coolidge)

What can be said about Real Genius that hasn’t been said before? Well, quite a lot really. I almost never hear anyone talk about this movie, or hold it up as a favorite, or anything really. It’s strange because considering how favorable the depiction of geeks is in this movie, and how archetypal the characters are, it should be a cornerstone of Geek Culture. It’s not a perfect movie, but there is a lot to love here.

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